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Inner Space
from only the best
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Cover photo by Ken Paulsen
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Chanting Induction
E.J. Gold
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Om Ma Ni Pad Me Hum... "Right now we're going to do a little chanting and as I do the chanting I want you to go with me into a different space; a space in which each of the syllables of the chant is a rejecter of rebirth in the lower worlds so you're going to remain in the space of chanting.
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Cover photo by E.J. Gold
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How I Raised Myself from the Dead / Ressurection
E.J. Gold
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At last! A proven method for raising yourself from the dead, just like I did, by playing a CD in the privacy of your own home. In only minutes a day, you can get fast, fast relief.
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I Can Free You
E.J. Gold
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E.J. was sitting at the dining room table eating a crepe for his Sunday morning breakfast. Jimmi Accardi had just walked in from the recording studio with tape in hand as he sat down at the table to get his food. The tape I Can Free You was put on, ready to play. E.J. Began telling those sitting around the long maple table the story of the recording of this album. An invocational recording session at RCA in 1972 with E.J. Gold on the Yamaha 2000 organ.
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Inside Outside
E.J. Gold
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If being had a voice what would it sound like? Older than recorded history, the pure tonality of the flute seems consistently to tickle, cajole and elevate the spirit, momentarily lifting the veil and turning it inside out.
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Journey Through The Great Mother
read by Alan Power
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It takes you on the one of the most astonishing journeys you will encounter in this time / space. With the powerfully calm voice of Alan Power encouraging you, inhale and enter each chamber until the presence of the Great Mother is both perceived and understood. "In this room everything passes away in the dissolving radiation's of grace."
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Cover photo: Cygnus Loop (detail), ST Scl OPO PRC95-11 February 1995
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Music From the Heart of the Galaxy
Zaphod & the New Harmonics
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"There is no discord; everything is harmony! Dissonance is a form of harmony; it just means we re-define our aesthetic, use our auditory toggle-switches, change the baud rate... Earth is the only planet that has harmonic theories...the only planet where they've decided what music is. -- Zaphod
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Mysteries of the Meteorite
E.J. Gold
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An appropriate album title for the mood and spaces evoked while listening to E.J. Gold playing original compositions on sax.
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Photo of E.J. Gold taken by Ken Paulsen
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Pythagorean Harp & Harmonium Improvisations
E.J. Gold
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This music belongs to the tradition of objective art which includes music, art, and architecture. Objective art is invocational of higher dimensions and has the inherent ability to inspire awe at the vision of the Void. When experienced in the form of music it can have a variety of effects. Objective music opens one to other spaces and takes one there. It can stir, rouse, and enliven, or make one perfectly still and centered. Sooner or later it will take you to a space your deepest self knows as home and in that sense it is profoundly shamanic.
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Rates of Passage
E.J. Gold
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I enter into a dreamlike state the quality of which is like a theatre in which I'm watching the creation...
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Charcoal image by E.J. Gold
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Ritual of the Cave
E.J. Gold
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Have you even been in a deep cavern in total darkness? The absence of all things familiar - sunlight, trees, flowers, animals - the ominous silence of the inner earth...
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Saturday Night in the Higher Dimensions 1 & 2
E.J. Gold
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A persistent climb upward to the higher dimensions. Powerful, freely-moving musical pieces guide the active listener through a series of soundscapes and hidden rooms.
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Venus Rising
E.J. Gold
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Sculptural sounds create hermetic chambers for you. They will bring you from your ordinary space through specific transformational zones to arrive at doorways of new understanding. Relax, shed your everyday concerns, find a comfortable posture, put on the CD, and let the music do its work.
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Way Beyond the Veil
E.J. Gold
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No more bones and rattles! The Hi-Tech shaman uses the tools of modern stock and trade. But some things never change. Still there is the age-old custom of drummers forming a circle around the Shaman as he takes on visions. Moods, thoughts and postures rearrange themselves to provide for shamanic form-changes. All is focused on the one thing, whether it be felt, heard or spoken. It is not of this world but that brings no loss. This round is complete. The circle spirals like a smoke ring to other worlds, 'way beyond the veil', far beyond the beyond, in what can truly and only be appreciated as Shaman ritual.
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