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Jazz from only the best
Mill Street Jazz Lab I cover   Mill Street Jazz Lab I
Mill Street Jazz Lab

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Mill Street Jazz Lab, a hot-bed for young and old musicians has brought them together to produce jazz light enough to close your eyes and travel elsewhere.
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Mill Street Jazz Lab II cover   Mill Street Jazz Lab II
Mill Street Jazz Lab

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It was Donald Byrd who explained to me how to get the most out of my instrument "Your ax is your voice, it's how you sing." -- E.J. Gold
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E.J. & L.S.J. cover   E.J. & L.S.J.
E.J. Gold (harmonica), Justin Lowis (drums), Aja Salvatore (guitar), Isaac James (bass)
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E.J. & L.S.J. -- E.J. plays sax and harmonica with these 3 young inspired jazz musicians. Half the cuts are on the calibre of jazz standards i.e. Sunny by Bobby Hebb, Blue in Green by Miles Davis, Footprints by Wayne Shorter, Blue Bossa by Kenny Dorham and Naima by John Coltrane -- songs all have heard and may not have known their titles. For those who have had the fortune to come to the Institute, this is the elusive jazz CD you may have heard but was never available, until now.
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Galaxians cover   Galaxians
Zaphod & the Alien Allstars
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Slinky, bluesy jazz from another music portal in the time-space continuum. Just glide on through this moody room of Galaxian tunes, turn up the volume and move! Rotate to the left and slide to the right, sink into the floor and float on up. Hey, it's easy. Just leave your mind on hold and let the rest go. This CD is a fantastic musical adventure into the more plasma nature of things. And, by the way, if you do end up merging with a wall or a couch or some other such thing, simply unstick yourself when the CD is over and bring it on home for another day.
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Blues From Hell cover   Blues From Hell
Zaphod & The New Harmonics
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"With blues like this one can really swing in hell." -- ML, Chicago, IL
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Blue Smoke cover Photographs of Bardotown courtesy of E.J. Gold   Blue Smoke
E.J. Gold
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Blue Smoke...is it a vision of glowing ashes rising like the Phoenix from the dust of long-forgotten TV dramas? It is the second-hand coffin nail from the elbow next to yours in that darkened room where someone croons to no one...
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No Bread Lotsa Jam cover   No Bread Lotsa Jam
Accardi/Gold & Friends
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R&B slide and slither featuring some very heavy duty guitar licks and glides. This is old time rock at its best -- definitely dance music and I do mean boogey-woogey rock and roll. So sashay on down to a R&B jam that will stick to your ribs. This CD is really fun. Upbeat, bright and bouncy.
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Miles From the Dead cover   Miles From the Dead
The Cool Jazz Ensemble
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Percussion at its best. What began as an impromptu jam session, metamorphosed into an elegant ensemble of sound. Rhythmic, pulsing, sinuous...this very talented group of musicians add their expertise with a variety of musical tools from traditional drums and percussion to totally hi-tech industrial digeridoos and homemade horns. The result is a hypnotically rhythmic pastiche whose beat begins in your toes and then travels all the way up your body until you just have to dance.
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Zaphod & the New Harmonics with Elwood Strutter Stutton cover   Zaphod & the New Harmonics with Elwood Strutter Stutton
Zaphod & the New Harmonics with Elwood Strutter Sutton
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If you're lookin' to take a break from Earth duty, turn these sounds loose in your local atmosphere. This voyage is soul galactic style. -- Tsugon Drew
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Good Vibes cover Cover art, Dimensional Tweak, serigraph 1989 by E.J. Gold   Good Vibes
Bachtold / Gold
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"This is one of the most interesting projects I've been involved with in some time. Try to visualize if 1950's cool chamber jazz had taken a rather sharp left turn and gone straight into the 1990's.
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Harlem Daze cover Cover art: E.J. Gold, "Harlem Blues", fine art print, Arches, pencil signed and numbered, edition 250.   Harlem Daze
Accardi/Gold & Friends
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Thanks to all those who enriched our lives with the tales of theirs. It was Donald Byrd who explained to me how to get the most out of my instrument -- "Your ax is your voice, it's how you sing." And in the words of Norma Dolores Egstrom "I would pay to play this role!"
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The Jazz Koto of Eugene Yamamoto cover   The Jazz Koto of Eugene Yamamoto
Eugene Yamamoto
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Beginning with the funky "Sushi Serenade", this CD rocks with an oriental twist. Jazz Koto a la Yamamoto is a unique musical surprise and one that delivers a sensational driving bassline, entwined with the high and haunting koto tattoo. Walk through the gentle rustle of a tall green bamboo forest and find yourself at the Down Home Geisha. Let your hair down, get our your chopsticks and have some fun.
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Night Blooming Jazzman cover   Night Blooming Jazzman
E.J. Gold
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Riffs rolling round and around broadcasting interstellar signals, beaming faster than light through the blackness of night. Fluid spiralling sound cycles weave invisible transient spaceship-like structures carrying listening ears into territories known as Unknown. A path through matter, a path through space....
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Liberation cover   Liberation
Accardi/Gold
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We invite you to cross over the line with us through and beyond the astral plane on a journey toward Liberation in the Pure Realm of Clear Light. Sit back, light a candle, burn some incense and allow yourself the luxury of this guided tour of the Bardos and a guaranteed date with yourself in the Void. Enjoy. -- Jimmi Accardi
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It Pays to be Ignorant cover   It Pays to be Ignorant
The Morons
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nO lINer noTeS -- we cant rite.


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Zaphod & the New Harmonics cover Zaphod on Sax   Zaphod & the New Harmonics
Zaphod & the New Harmonics
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Everybody in the galaxy listens to Zaphod & the New Harmonics. From the Central Core to the furthest reaches of Sector RMB81, their space soul, rock & roll sound is heard all over Sub- and Macro-space and those who can't make it to their live gigs listen to their recordings on microchip.
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Post Pop Festival cover   Post Pop Festival
Accardi / Gold
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A stellar ride into a musical sphere that defies your current concepts of musical reality. Here's an exercise. I'd like you to do. Buy the CD, take a quality work of visual art, turn on the CD, clear your mind and journey into the art using this music as a guide. When you're done, go outside and sit with your back against an extremely old tree in order to ground yourself. Have a nice trip.
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Alto Sax Zarathustra cover   Alto Sax Zarathustra
E.J. Gold
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E.J. Gold composed these compositions for horns and rock orchestra.


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Sax Pistol cover   Sax Pistol
E.J. Gold & Friends
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It's Improvisational Jazz at it's liveliest! E.J. Gold and Friends takes you to a time when Jazz Men challenged and accepted challenges. The listener can close their eyes and visualize an impromptu session happening in a small bar. You know the place ... the one off the tourist traveled streets ... the one tourists wish they could find but it's strictly "locals only." That's where this music happens.
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The Last Set at the Rembrandt Room cover   The Last Set at the Rembrandt Room
Bob Canatsey Quintet
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The Last Set at the Rembrandt Room is one of my favorite albums. I remember what it was like recording the album in the early '90's. We didn't have an engineer at the time so I miked up all the instruments live and ran all the sound through a mix board directly into the video camera because we were also video taping. Bob Bachtold showed up early in the morning with his drums and Bob Canatsey soon afterwards with his saxophone. E.J. Gold and I joined them and we played everything live over the course of the day and into the night...
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Jazzmobile cover   Jazzmobile
Jeff Spencer Trio
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Hotwired and already in motion, the Jazzmobile will be over to pick you up just as soon as you alert it by powering up this fabulous CD!
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