They use to call this "tripping music".
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About 1971 John Lilly made the experiment which is track 1 of this CD. He produced what is called a "repeating loop" -- in other words, he spoke the word "Cogitate" once and it was electronically repeated over and over utilizing a special disc to ensure unvarying repetition.
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The induction follows the shaman's initiation and travel between dimensions using totems to absorb the shock of transition. The shaman shapeshifts to follow his vision, threads the shawoman's labyrinth to find her in the center, dances for her and finally joins her in a serpentine dance around the tree of life.
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This has the effect of disengaging the essential self from its hypnotic identification with the human biological machine.
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Just when you think it's all over, here it comes again ... Fourth Dawn.
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Find out where the Easter Bunny's eggs come from, why we don't eat turkey and what the heck is a pooka anyway? The tunes are haunting, poignant and often, very humorous.
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At last! A proven method for raising yourself from the dead, just like I did, by playing a CD in the privacy of your own home. In only minutes a day, you can get fast, fast relief.
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E.J. was sitting at the dining room table eating a crepe for his Sunday morning breakfast. Jimmi Accardi had just walked in from the recording studio with tape in hand as he sat down at the table to get his food. The tape I Can Free You was put on, ready to play. E.J. Began telling those sitting around the long maple table the story of the recording of this album. An invocational recording session at RCA in 1972 with E.J. Gold on the Yamaha 2000 organ.
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Journey ... open to experiencing the real world.
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"There is no discord; everything is harmony! Dissonance is a form of harmony; it just means we re-define our aesthetic, use our auditory toggle-switches, change the baud rate... Earth is the only planet that has harmonic theories...the only planet where they've decided what music is. -- Zaphod
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Musical portraits: each diffusing extraordinary charm and surprising sophistication. Mystical portraits: each venturing into a musical language created at the moment. Pictured here are the influences of a friend, of a space, of a time, of a place -- of an interest to say it in rhythms, chord clashes and harmonics often ignored. There is no need to indulge in the absurdity of an artificial aestheticism when he can play. Whenever possible, leave them laughing. It will not be long before it becomes familiar, and in it one will find that ideal company that music is, when it echos your own solitude and fills it with its magic song.
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One Single Outbreath offers vibrant music that is rich. Varied in influences with a lot of good drumming, it's a lush amalgamation of Afro-Cuban rhythms and funk infused with a hint of Middle Eastern flavor that lends delicate complexities to the melodies. One Single Outbreath can guide and tickle the listener awake. The music is intelligent while maintaining the freshness of the experimental, now creating ambiance, now providing background for spoken word. Excerpts from two masterpiece texts by EJ Gold, "The American Book of the Dead", and "The Hidden Work" are included
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The teachings of the American Book of the Dead (ABD) are those ancient instructions on living and dying as found in the traditions of ancient Egypt and Tibetan monasteries now written and spoken in modern English making them easily accessible to the West.
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When you hear this school bell ring, you can't ignore it.
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SMOGOPS, Slime Mold Operations Group Operatives, form the 37th Century voyage interdimensionally in and out of time. The music is the medium that will get you there.
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Allow the mandate of time to release its hold at least for a while. Remember, time flow will still be there when you get back from "Spacing Out."
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"...Oh my God, I think I'm dying. Every lifetime lasts one breath..."
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